THE GREAT MACROSS REWATCH – CONCLUSION

Conclusion

THE GREAT MACROSS REWATCH – CONCLUSION

It feels weird to be writing a “conclusion” when the newest series is right in the middle of airing. And yeah, this is more of a long pause than a total wrap-up (it’ll probably be a few years before I do a full Delta rewatch). I’ve still got lots more material for the blog, but for now, the Great Macross Rewatch is done. It’s been an interesting journey to watch, for me at least, as the original series (which was never really an underdog) managed to generate so many years of anime, and stands now as, well, not quite a household name, but very highly-regarded in many circles. Pretty good for a series that was designed as a merchandise-friendly throwaway series so that Studio Nue could then do what they REALLY wanted to do: Genocidas (which of course, they never did).

This last weekend, Shoji Kawamori was, of course, a guest at Anime Expo, and I was lucky enough to help out a bit at the booth for Satelight, which is his animation studio. It was the second time I’d done so, the first being the previous year, when Satelight designer Thomas Romain was one of the guests of honor. I was introduced to him as “a big Macross fan,” and his response, “Ah, yes… Zat is what zhey dragged me away from to come ‘ere,” was the ONLY thing anyone told me about Delta. This time, Kawamori was pretty busy the entire time, and so I only got to meet him once, when he came by the booth Sunday morning. We didn’t talk much; I was introduced to him by the other Satelight employees, and I thanked him for his work.

The previous night, Saturday, July Second, had been his big panel, mostly talking about his childhood and the development of Macross, and in particular the VF-1. Much of the content of the talk would not have been a surprise to anyone who has followed this blog from the start, but one thing that I hadn’t known was that after trying to get Genocidas funded and having no luck, Macross (which he termed a “dummy project”) was basically created in a single night. Of course, it went through many changes during pre-production, but most of the core concepts were decided upon in that one session.

(There was a great bit after the talk, when he came out and posed for a big group photograph with all the cosplayers who were there. The cosplay was mostly Delta (lots of Walküre members, plus a Hayate and a Mirage), but there was also a Minmay, a Basara, a Sheryl, a Ranka, and a Shin Kudo. Only Macross II and Plus were not represented.)

I think it’s indisputable that as far as the history of anime goes, the first series (with Do You Remember Love) is the most important, both at home (as the flagship series produced by the first generation of what would become “otaku”) and abroad (even in somewhat muffled form, as Robotech, the first series retains most of its force and power, and remains popular, despite Harmony Gold’s constant inadvertent attempts to sabotage it). Following that I would say that, for Japan, Frontier is the second-most important, for ushering in the “ani-son boom,” whereas in the west, it’s Macross Plus, for being an absolutely must-see series at a time when anime was first really beginning to take off in the US.

But really, if there’s anything I hope you take away from this Rewatch project, it’s how central the concept of music was even for the first series (although, again, Carl Macek downplayed its importance in Robotech). It fits squarely into the history of idol anime as much as it does mecha anime, and as I said during Episode 12 of the original series, the use of idol music during the space battle was one of the things, apparently, that the fans really went nuts about, since no one had ever tried anything like that before. The music is one of Macross’s signature features, and one of the things that makes it different from other mecha anime.

THE END.

Okay, not quite.

ACKNOWLEDGMENTS
I’ve had A LOT of help on this. The SpeakerPODCast Crew (Adrian, Gwyn, and Renato), VF5SS, and Karice67 have all been extremely generous with their time and knowledge, and generally helped me look a lot smarter than I actually am.

Thanks to the Facebook groups Robits, Macross Fans US, Macross Fans of Malaysia, Macross △ Delta, and Robotech Freedom for putting up with my twice-weekly invasions (and often being kind enough to actually READ the blog post before commenting… well, in Robits, at any rate).

And thanks to CaptainJLS, whose acknowledgment here probably surprises him as much as it does you, for inspiring the whole thing in the first place. Years ago, I stumbled over his wonderful “365 Days of Robotech” blog posts, and thought, “Huh… I wish someone would do something like this for Macross…”

And thanks to YOU for reading this, especially if you’ve actually made it through the entire Rewatch. Your dedication is impressive, especially considering my digressive, self-interrupting, and completely tangled and annoying writing style. I really appreciate it!

Okay, NOW… THE END.

No, wait…

Okay, now that the Rewatch is all nicely wrapped up, there are going to be some changes. First, the updates to the blog will be less frequent, probably once a week (or less) rather than the twice a week I’ve been doing. I’ve got a few topics that spiraled out of control and had to be pruned while I was doing the the Rewatch, and there are other topics that got spread out over many posts that I would like to consolidate. And there’s the post about the  dRobotech/Macross rights issue, which I’ve been working on for a while, and which is getting fearsomely long (It’s looking like it’ll be at least two parts. Maybe three). And also, I’ve got a few translations I’ve finished (or started) and nowhere to put them. So that’s what’s coming up in the next while.

SEE YOU NEXT DECULTURE.

THE GREAT MACROSS REWATCH – 25th Anniversary Special

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MACROSS 25TH ANNIVERSARY SPECIAL! MACROSS IS COMING BACK!

ICONIC SCENE: “Real Songs! Real Love! Real Transformations!”

BROADCAST DATE: December 23, 2007

Sorry for the doinky picture quality… unlike the previous specials I’ve covered, this one has not been released on home video, and so I got stuck with the YouTube version (which will probably be taken down any moment now).

This is also the first time I’ve seen it since it originally aired, since at that time I was actually in Tokyo and saw it on TV. I had arrived in early November of 2007, initially hoping to find a job as an English teacher. Unfortunately, my timing was disastrous: a week or so before I arrived, the largest chain English school in the country, NOVA, with hundreds of branches all over Japan, has gone out of business quite suddenly, leaving thousands of English teachers out of work and without their final paychecks (I’m not exaggerating; Gaijinpot, the main website for finding work in Japan, has a feature which tells you how many other people have applied for a job, and everything I tried told me that there were over five thousand other people trying for the same job… and of course, most of them, unlike me, had work visas. I had absolutely no chance).

It was a weird, exciting time. I was staying at a cheap but very friendly hotel, Hotel Juyoh in Taito-ku (which I highly recommend to anyone visiting Tokyo. It’s close to the anime district of Akihabara and to Tokyo Sky Tree, although that didn’t exist in 2007. The immediate area around the hotel isn’t as great, although the last time I was in the area, on New Year’s Day, 2012, it had modernized considerably thanks to Sky Tree being close by. And right across the street from the hotel is the best coffee shop I have ever been to, Cafe Bach, where five dollars for a cup does not feel exorbitant. The coffee is THAT good).

Anyway, when I arrived, I was much more in an Evangelion mood, the first of the New Eva movies having opened a couple of months before and still (amazingly) playing in the first-run theaters. At one point at the hotel, a guy I was talking to mentioned Macross F. I had heard that a new Macross series was coming out, but knew nothing about it. He called me over to one of the computers the hotel had and showed me the trailer on YouTube, and yes, it looked stunning.

Still, Macross at this point was virtually dead, even though it was the twenty-fifth anniversary year. Checking Animate, the primary chain shop for anime goods, revealed no merchandise, although I heard “Daybreak’s Bell,” the first opening theme for Gundam 00, so many times that it really got drummed into my head, and still reminds me of those days. The used-goods shops were a little better. In Nakano, I found the second volume of the TV novelization (what? I hadn’t known that there were Macross novels… (see the category “Translations”) and I found a cheap copy (my second… later joined by a third) of the little picture book “Macross Love Story” at a used book store in Jimbocho (the owner, who looked to be about five or six years older than I, chuckled with fondness when I placed the book by the cash register, and said that he used to watch Macross as a kid).

The strangest thing I found, quite early on (and as I’ve said before), was that the original TV series was being rerun. At three AM, Thursday mornings. Since I didn’t have a job, I could catch it if I happened to be awake at that time (which happened a lot at the beginning, and less so as I adjusted to the time change).

But again, Macross just wasn’t really on my radar at the time. It had been three years since Zero ended, and I was collecting (but not building) the Hasegawa kits (which I had been picking up at a place called “Best 1 Hobby” in Alhambra (RIP) that I just happened to come across one day). It was nice to see Macross on TV (even if it was at such an inconvenient hour) and the Macross F trailer looked really good, but, as I said, my mind was on Evangelion, and this was at the point when Gainax (err, I mean “Khara”) had announced three movies, the second of which would be coming out in December (remember that? The first Eva movie was announced for August 2007, the second for December 2007, and the third and fourth, which were each supposed to be 45 minutes long and released as a double feature (and thus, effectively a single film), were supposed to be Spring 2008. THAT schedule got thrown out the window quickly enough, didn’t it…? And indeed, it was clear by this point that no, the second movie wouldn’t be arriving in December).

So it was with virtually no expectations, that, still a little drunk from the birthday party the hotel staff and friends had thrown me, I turned on the TV to see the 25th anniversary special and the “preview” (“Deculture Edition”) of Episode 1 of Macross F.

I’ll talk about Frontier next time. The preceding show is pretty much in line with the “Macross Fastest Liftoff” special which aired a couple of weeks before Macross 7, with one big difference: one of the “celebrity” hosts, Hiroyuki Mayasako (who also appeared in that weird Macross Zero commercial that I linked to before) is actually a Macross fan. The other three know nothing about it and don’t really care. One of them even gives Mayasako a lot of shit for liking it.

(Mayasako, as a kid, apparently saw Do You Remember Love in the theaters in 1984. I kinda envy him that.)

So the hosts sit down and, as often (always) happens on Japanese TV, they watch a video about the history of Macross. It’s nothing that you wouldn’t already know, although I find it interesting that they emphasize that the last battle scene in Do You Remember Love has the song playing over it for its entire seven-minute running time. And even the three who don’t care are impressed that Kawamori directed the movie when he was twenty-three (which, yeah, really IS pretty amazing. I mean, what were YOU doing at twenty-three?), turning twenty-four during production.

Probably the most notable feature of the special is that it spends a lot of time talking about the original series and Do You Remember Love, and then skips over everything else to talk briefly about Aquarion (?!?) before getting to Macross F. And then it ends with talking about the robot dog Aibo, which is something that all the hosts seem to know (and finally, something they all care about).

It does point to an issue that I haven’t really brought up, though, in that the original Macross was absolutely monumental in the history and development of anime, and that that’s something which none of the sequels have really been, except subliminally. Macross Plus probably comes the closest, with its revolutionary use of CGI and the fact that it’s, in the West, at least, one of THE series that it seems like nearly every anime fan has seen (maybe not so much anymore, but certainly in the ’90s when anime was finally really breaking through and finding a western audience). But in Japan, none of the sequels had had anything like the same impact as that first series.

That, however, is about to change, as Frontier really will make history, of a sort.

(NOTE: There was another part to this post, initially, detailing my personal adventures with Robotech during the 2004-2007 period, but that was making this post WAY too long, so I snipped it out and may post it separately after the Rewatch is done. It’s…. not kind.)

THE GREAT MACROSS REWATCH – 20th Anniversary Premium Collection

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MACROSS 20TH ANNIVERSARY PREMIUM COLLECTION

ICONIC SCENE: Indeed, “Macross will advance.” Just not immediately.

RELEASE DATE: August 25, 2002

I can’t really say that Macross came roaring back with a vengeance for its 20th anniversary in 2002, but there was a small current of momentum. The big news, of course, was a new OVA series, a prequel of sorts, called “Macross Zero.” And the big news about that was that, first, Akira Kamiya would be reprising his role of Roy Focker, and, second, that the mecha was all meant to be pure CGI. I don’t think I was alone in looking forward to the former news and having some trepidation about the latter. CGI had, over the previous two or three years, become more prominent in anime, and sometimes it looked great, but more often it didn’t.

Now, I don’t ascribe to the idea, which seems common among people who got into anime in the ’80s (and ’90s), that CGI is inherently impersonal and lacks “heart.” I mean, it’s like synthesizers, in a way… my generation grew up hearing a lot of electronic sounds on the radio, which we dug, but which the generation above us often decried as not REAL music. And yes, plenty of times synthesizers and computers and drum machines were used unimaginatively, or in ways that sound WAY more dated now than non-electronic music of the same time period does, but if used effectively, they could help create some really amazing music. It’s the same with animation, really.

Kawamori, of course, had been something of a vanguard on the computer animation front, incorporating a lot of it into Macross Plus (and a little bit into Seven). By this point, he actually had his own CGI animation studio, Satelight, and Macross Zero was, among other things, meant to be a demonstration of what they could accomplish.

This DVD, a limited edition released four months before the premiere of Macross Zero, manages to show both the good and the bad of CGI anime. On the good side, there’s a short promo clip (done, not by Satelight, but by Gonzo, like the Dynamite 7 OP and ED) devised for the 20th anniversary, showing Valkyries flitting about, and looking totally great. Some of the shots are filtered and very stylized, others are ripped right out of their respective series. All of them look wonderful. There’s a slight mistake, though, on the shot of the VF-11. It says that it’s a MAXL, but it’s really just an 11B or C.

On the bad side, there’s the trailer for the (mercifully?) unreleased “3D-VFX” game. It started life as a movie, then was downgraded to game status, and then vanished completely.

(Sunrise, by the way, was doing their own very public CGI experimentation and learning at this time, with their Gundam Evolve shorts and MS Igloo, and both those and 3D-VFX have the same major problem: the mecha look great, but the characters fall deep into the uncanny valley (MS Igloo probably fares the best with its people, but still doesn’t look very good). 3D-VFX goes for an almost puppet-like look for its characters, like a Supermarionation series, but that almost adds to creepiness.)

Still… although it doesn’t look wonderful, I’m always sad to lose a piece of Macross history, so I wish it could’ve been revived some form or other.

Next on the DVD, there’s a brief history of all the Macross series and movies so far, ending with a short trailer for Zero, in which they emphatically do not show the VF-0. And the rest of the DVD is plumped out with all of the OPs from every Macross series, the beginnings from some of the games, and a few Macross-themed commercials.

Now, in the summer of 2002, I was still reeling from an extremely bad break-up, and Macross wasn’t really on my radar for a while. I didn’t get Macross Zero Episodes 1 and 2 until the following year, and didn’t get this DVD until after that, which is a pity, as it probably would’ve assuaged some of my fears about all-CGI for the Valks. It was definitely in 2003 that I also did my first comprehensive Macross rewatch, using the US releases for SDF Macross, II, and Plus, the Japanese release for this, and Hong Kong bootlegs for everything else.

And although I was a member of Macross World at the time, I didn’t visit it terribly often. And if I did, I never checked the toy news, so the first news of Harmony Gold beginning to block Macross toys flew past me. Indeed, while I had given up on Macross 7 ever being released in the US, I felt sure that Zero would be licensed soon, and looked forward to an official Western release…

HA! As if!

MACROSS II, PLUS, and SEVEN – Suggestions for Further Reading (and Listening!)

books

MACROSS II, PLUS, and SEVEN
EXTRA: BOOKS AND ALBUMS

Sorry, folks – this isn’t the embarrassment of translation riches the last post of this type was, because I’m still working on stuff from that post and haven’t reached this material yet. That said, I intend to do all (or at least most) of the stuff presented here, but it’s not going to be immediate. Maybe in a few years, if all goes smoothly.

Super Dimension Fortress Macross II
As I said before, there are five novels for Macross II. The first two (or maybe two and a half) adapt the series, the next three tell a sequel, as Hibiki investigates a Chinese mafia group called “Black Panda.” Some of the illustrations are intriguing (Ishtar holding a baby…?), but I don’t know much about them yet.

There’s also a manga adaptation by Tsuguo Okazaki (creator of Cosmopolice Justy), which is completely faithful to the OVA. I get the feeling, but haven’t been able to confirm, that it was actually requested by Viz (or at least SOMEONE on the American side of the business) and created primarily so that an English version could be released. It was put out in the US as ten monthly issues which were later collected in book form. A drawback (perhaps): this was at the point in time when manga was routinely “flopped” to read left-to-right. So yeah, everything’s backwards in it (it wouldn’t be until a few years later when keeping the original right-to-left format of manga became the norm. Viz experimented by releasing two different versions of the Evangelion manga, one flopped and one unflopped. The unflopped one apparently outsold the flopped one by wide margin, and that gave them the go-ahead to present everything in its original format. The late, kinda-lamented Tokyo Pop was really the first company to fully embrace right-to-left books, as a cost-saving device, and it worked).

There’s also a made-in-America manga sequel, called “Macross II: The Micron Conspiracy,” which I haven’t read. It’s got a good creative team, though (written by James Hudnall, who adapted a lot of the early Viz manga, and art by Schuloff Tam, who used to draw the covers for Animag).

Macross Plus
There isn’t a whole lot on the Plus front, especially in the ’90s (a Plus manga was made later, but I’ll get to that in due course). Basically, there’s just a novel, titled simply “Macross Plus Vol. 1,” written by scriptwriter Keiko Nobumoto. As the title indicates, it was meant to be the first of two volumes. In an afterword, though, she states that writing this book was so difficult that she couldn’t face writing another, and thus, there would be no Volume 2.

What’s interesting about it is that the adaptation of the OVA/Movie story would’ve been mostly in the second book, and the first half of Volume 1 instead tells the story of Isamu, Guld, and Myung in high school. Of all the books on my list to translate, this one is probably at the top of ones I’m eager to get to.

Macross Seven
Here’s where everything goes crazy… Macross 7 never had any novelizations until the two-volume adaptation of Dynamite 7 (written by Fumihiko Iino, otherwise unaffiliated with Macross, although his debut was a novelization of “Godzilla 1984”), which I’m not terribly interested in. But everything else… Jeez.

1. Books:
Okay, there is a short story, called “Fire to Tomorrow!” that’s included in the Fire Bomber Roman Album. And there were two manga series. the first, “Valkyrie Rock,” was a four-panel gag manga series that was serialized in “Comic Bon Bon” Magazine and has never been collected in book form (although I’ve seen scans of some strips online… it doesn’t look very good), but what was meant to be the real gem was “Macross 7 Trash” by Haruhiko Mikimoto. This debuted in late ’94 in the first issue of a new magazine, “Shonen Ace” (Or “Shonen AAAAAAAAAAAAACE!” if you saw the ads from any Evangelion episode taped off of TV). Shonen Ace was aimed squarely at the otaku crowd, and contained mostly series either derived from anime or that were already being developed as anime. Other series in it from very early on included “Tenchi Muyo,” “Crossbone Gundam,” “Escaflowne,” and “B’t X.” “Evangelion” joined it very soon (and probably kept the magazine afloat during those early years).

So anyway, Macross 7 Trash doesn’t adapt the series, instead being a story what happens elsewhere in City 7. But honestly, despite occasional appearances from Captain Max, Mayor Milia, vampires, and the Flower Girl, it could’ve been set anywhere, in any universe, and it would’ve been much the same. In other words, there’s very little about it that screams “Macross.” We’ve got a sport called “Tornado Crush,” which is a violent race on “air blades” (hovering roller blades, essentially) and it follows the trials of one of the star players, Shiba Midou. I don’t really want to rehash the story, and there is a (not very good) translation out there if you’re curious. I started collecting the series soon after Volume 1 came out, and by Volume 5, I was really hoping it would end soon so that I wouldn’t have to keep buying the books. Mikimoto, initially making thirty-page chapters per month, slowed down, and it appeared sporadically in the magazine (often presenting shortened chapters, or skipping issues entirely) as the story dragged on and on with very little seeming to actually happen. At the time, it was excruciating (I had a serious sense of deja vu when trying to follow “Ecole du Ceil,” which had (has?) similar problems, and I’ll get to “Macross the First” later…).

For this rewatch, I actually sat down and read the whole series through again over a few days when I got to Episode 39 of the series, and it left a somewhat more favorable impression. Overall, though, I still think it’s pretty but pointless, drags on much too long, and doesn’t have enough of a connection to the series. Still, since Mikimoto did it, it’s as official as they come, and probably shouldn’t be ignored.

2. Albums
Oh my God… where to start? First off, there are a number of fan-club and exclusive drama CDs and tapes. Some of these appear on the Macross 7 DVD and blu-ray sets. Most of them are essentially advertisements, with a few funny skits thrown in.

(I’ve already mentioned the movie promo, which has the Macross Seven and Plus casts meeting. That’s probably the best of them.)

The first real Macross 7 drama album, which I’ve also mentioned, is “Macross 7 Docking Festival ~Singing Saves the Galaxy!?~” which I really enjoy. It’s a lot like “Miss DJ,” really. It skews heavily towards comedy, but also adds a lot of little details that may have been intended for the show but never quite made it in. It also features a great reunion of Shammy, Kim, and Vanessa. And it dates itself firmly to the early ’90s by having that old Nirvana gimmick of having the last track fade out, followed by too many minutes of silence, and then a hidden track (remember when it seemed like EVERY band was trying that…?).

I’ve briefly (well… briefly for me) mentioned the Macross radio show that ran concurrently with Seven. As far as I can tell, it was mostly a talk show, hosted by Akiko Nakagawa, who voiced the Flower Girl (and, I’m 99% sure, Sivil). However, they also had several series of radio dramas. Each episode was only about ten minutes, but they combine into stories of startling length. All of them (as far as I’m aware) have been released on CD, and I’m grateful for that. As unenthralling as they are, at least they haven’t been lost to history. But yeah… unenthralling they most definitely are. The first one, “Mellow Heart Beat,” for example, is a full, 70-minute CD all about the Flower Girl trying to access Fire Bomber’s homepage. Yes, really. The second, “Melodious Illusion,” is SLIGHTLY more interesting, about a sort of ghost that lives inside a computer, who tries to influence the Flower Girl. The third, which is so long that it sprawls out over three CDs, is “Galaxy Song Battle,” a symbolic story about the virtues of positive music, as Basara kinda/sorta fights with special guest singers Lark Skybeauty (representing “Songs of Sadness”) and Panther (representing “Songs of Rage”).

But the radio show didn’t ONLY do Macross 7 dramas. They also did a Macross 7 Trash drama album (which seems to start as a serious adaptation and then turns into a comedic portrayal of the Minmay Voice competition). It’s not very good, overall, but it does have one of the best covers of “Do You Remember Love” ever, which unfortunately has never been released in a “clean” version (in the drama, there’s a lot of chatter over the intro). It also features a character named “El Niño Gumpy,” which might be the greatest name ever. But the most interesting ones they did were “Macross Classic – Inside Story” and (theoretically, at least) “Macross Generation.”  “Macross Classic” reunites nearly all the cast from the original Macross (Mari Iijima isn’t there, although there is a Minmay concert involved), and tells a story during the “lost two years” between episodes 27 and 28. So yes, it’s a story about the first Macross series, but very definitely made in the ’90s, since it features both Millard (as a Skull Squadron pilot) and the Flower Girl (???) (Incidentally, in a way, the Flower Girl has shown up in every major “generation” of Macross so far. She’s on this album, set in 2010 or 2011. She in the Macross 7 TV series (obviously), set in 2045, and in the Macross Frontier manga, in 2059, she’s at a Sheryl concert. She must be older than she looks…). And last, the radio show presented “Macross Generation,” a completely new story with a completely new cast, set on the Macross 9 Fleet in 2047. As I said before, it’s not as interesting as it sounds, although it starred a very young Yukari Tamura as the heroine, Tomo Sakurai as Canary Minmay, and also had Megumi Ogata (voice of Shinji Ikari) not only voicing the tough-guy cosmo-bike racer Rafarl, but also singing “Runner” at one point. So, if it’s been your lifelong dream to hear Shinji Ikari sing a Macross song, look no further.

Anyway, I’m sorry that all I can do is point you towards a bunch of untranslated books and albums, rather than, y’know, providing them, but be patient, and I’ll let everyone know when I make progress on them (hey, the Rewatch is nearing its final stretch… but the blog has to live on after that, right?)

THE GREAT MACROSS REWATCH 99 – The Macross 7 Movie

7 Movie

MACROSS SEVEN: THE MOVIE
The Galaxy is Calling Me!

ICONIC SCENE: The mysterious Emilia…

STORY DATE: January 2046

RELEASE DATE: October 7, 1995

1. So… roughly three and a half months after Plus Vol. 4 came out, and about two weeks after Macross 7 ended, the movie double-feature came out, although it’s probably more accurate to think of the Plus movie as the main feature, and the 7 movie as a bonus appetizer. Now, don’t kid yourself. This was not a wide release. I’m sure it only played in a few select cities at a handful of theaters, and most likely only for a week or two.

The two movies couldn’t be more different except in the Macross name and in their animation quality. And Ichiro Itano worked on both of them. As did Kawamori (he was the chief director of Plus, of course, and wrote the script for the Seven movie).

The Macross Plus movie is a two-hour re-edited version of the OVA series with some new footage. The Macross 7 movie is only half an hour long, and functions as an exceptionally high-quality extra episode. It’s even set during the series, although watching it in its chronological place (between episodes 38 and 39, right after the destruction of Planet Lux), it’s clear that it doesn’t quite work in that context. I think it’s best to think of it (like the Encore episodes) as just another Macross 7 story, and you shouldn’t worry too much about where it falls in the overall series. It doesn’t seem like the staff really cared much about strict continuity, so why should you?

2. It opens on a snowy planet, which we immediately know is NOT Varauta IV, because of the presence of houses and mining rigs. There’s a fold reaction, and the Fire Valk comes in tumbling through the snow. There’s already more dynamic motion in this first minute of the film than there is in any of the less-accomplished episodes of the TV series.

It comes to a stop and Basara flies out of the cockpit, to be confronted by a bunch of serious-looking guys with guns. Then a little kid, Pedro, comes out and recognizes him. Pedro is great. Director Tetsuro Amino said he based him on his own son, wanting to get the real movements of a small, excitable child on film. And, if the kids I’ve met are anything to go by, he succeeded completely… which is mixed blessing, honestly. But I like Pedro more than I dislike him, so I’ll forgive the fact that’s he’s totally hyper and addicted to MTV.

3. Then we go back to the reason Basara is on the planet in the first place: on Sunny Flower (where Billy, the Mylene fan, lives, but they haven’t met him yet), Dr. Chiba is trying an experiment to get Fire Bomber’s music (Mylene especially) to make sunflowers move. I’d like to point out this this EXACT scenario got recycled by Kawamori in the Aquarion OVA and movie.

Anyway, they hear a strange noise that actually does make the sunflowers turn, so Basara goes after it. And about that noise… it sounds nothing like what it’ll turn out to be (Emilia). Instead, it sounds like the modulated voice of an opera singer warming up. At one point, you can even hear it sing a bit of the Rossini aria “Largo al Factotum”… just, y’know, heavily altered sonically.

Oh, and the version of “My Friends” heard here seems to be a different vocal take than the version heard in the series.

4. For such snowy scenery, there’s an oddly “old west” vibe to the whole environment. There’s a saloon (which is even labeled “SALOON”), all the buildings are made out of wood, everyone’s hispanic and wearing vaguely cowboy-type gear, and they definitely “don’t like strangers ’round these parts.” Basara approaches some guys in the saloon who think he’s about to attack them, but instead, he picks up the dusty silver guitar behind them, singing the line from “Remember 16” about, you guessed it, a dusty silver guitar. This movie never had a full soundtrack (it doesn’t need one, honestly) but there is the “Heart & Soul” single, which contains “Heart & Soul,” Emilia’s song “Flash in the Dark,” and an acoustic rendition of “Remember 16,” which is what he sings next. And unlike in the series, Basara is actually shown making chords here, so for I think the first time since the opening credits of the series, it looks like he’s actually PLAYING his guitar, rather than just strumming the same chord over and over again.

One thing that ISN’T convincing, though, is Pedro’s crayon art. But I’ve never seen a convincing “child’s drawing” done by an adult in any film. These are pretty good, for the most part.

5. Basara takes Pedro out with him to investigate the strange noise. Without his Mom’s permission or knowledge. I’m pretty sure that’s illegal… Oh well, at least there’s a great scene of the the VF-19 transforming from battroid to fighter, and the flight scene here is (again) more dynamic than pretty much anything in the TV series. I mean, this is Macross Plus level stuff.

Basara gets attacked by what looks like a Queadluun-Rau (it’s actually a Queadluun-Kilka, since you asked so nicely) and starts singing “Try Again,” which wouldn’t, I think, have existed yet between Episodes 38 and 39… Again, best not to worry about it. (The song debuts in Episode 40 of the series.)

6. As soon as the Queadluun-Kilka starts spouting jets of colored smoke, you KNOW Itano is in charge. This movie, by the way, is the only portion of Macross 7 that he had a hand in, but as always, he adds a sense of detail and (as I explained before) “seriousness” to the mecha scenes that makes them really stand out.

Anyway, the Queadluun is really aggressive, although it doesn’t use any weapons, and I don’t understand why Pedro isn’t puking all over the place as Basara pulls a lot of Gs and swiftly changes directions (although the little tyke does look slightly sick towards the end).

Then comes the second-best scene in the movie. Basara lands, gets out, pulls out his guitar, and starts playing “Power to the Dream” at the Queadluun. The female Zentradi pilot gets out, and pulls out what looks like a rifle, but which then transforms into a guitar, and starts singing “Flash in the Dark.” An epic song battle so powerful that it FUCKIN’ CREATES AVALANCHES AND MAKES ROCK FORMATIONS FUCKIN’ EXPLODE ensues. Truly awesome stuff.

Basara wins, but it’s not an easy contest. And the woman bursts into tears.

Everyone, meet Emilia. She’s great. I’m a total Basara/Emilia shipper, and you should be, too.

(A note about Emilia: since her singer is not credited in the movie or on the single, for a long time, no one knew who she was. It was pretty clear that it wasn’t Michiko Neya, who did her speaking voice. I didn’t find out until 2010, when, after a Chie Kajiura gig, we had a Macross fan drinking party. There, I met the generally-accepted “Number One Macross Fan,” who had taken some kind of Macross trivia test and not only got a perfect score, but found a mistake in the test itself, giving him a “more-than-perfect” score. Renato asked him who sang Emilia’s songs, and he said, with no hesitation, “Mica Okudoi.” I looked her up later, and she’s mostly a jazz singer, but recently she’s been performing at Fire Bomber concerts as well.)

So they end up at Emilia’s place, with Minmay posters on the wall (while listening to “Do You Remember Love”… not the original version, but, weirdly, the “Mylene Jenius Sings Lynn Minmay” version). There’s also an interesting family portrait on her wall, if you look closely…

They almost kiss (how they would do so, I have no clue… but I bet DeviantArt could teach me), but then Pedro jumps into her mouth. I’m sure this is SOMEONE’S fetish, gratified…

7. Unfortunately, all this activity gets the attention of Geperunitchi, who sends Gavil, Glavil, and something called “Natter-Valgo” to check it out.

Gavil and Glavil attack, and Emilia attacks right back, Basara ends up blocking one of her Itano Circuses and teaches her how to REALLY attack the Protodeviln, with SONG. But Natter-Valgo gets Pedro.

Now, what the hell IS Natter-Valgo, anyway? According to Macross Chronicle magazine, it’s apparently Valgo resurrected as a robot. You may remember that the original Valgo was extremely at odds with Gavil. Natter-Valgo has no such issues. Heck, he can even combine with Gavil and Glavil to create GaviGlaGo… which is one of the main reasons I wouldn’t put too much thought into when in the series this movie happens, since it was Episode 42 (four episodes PAST the point where this is supposed to have happened) where Gavil and Glavil first combined, and EVERYONE was surprised by it (but nobody is surprised here).

8. Now comes the BEST part of the movie. Emilia starts singing “Heart & Soul” (one of the best Macross songs ever), and Basara joins in. GaviGlaGo throws off enough power to melt a lot of the ice, and a flood starts rushing towards the town. All of this is absolutely gorgeously animated.

9. It all ends happily, of course, with everybody safe, and a family connection revealed. Strangely, Natter-Valgo is not destroyed, so that his non-appearance in the series itself kinda becomes an issue. Oh well. And instead of “to be continued” or “to be Fire,” the cut-to-black ending card says, “bye bye.”

10. So yeah, a really fun little movie. It looks great and absolutely embraces everything that makes Macross 7 so sublimely ridiculous and ridiculously sublime. I’d say it even tops the finale of the series for sheer awesomeness.

THIS MOVIE’S GAVIL-ISMS: “No beauty,” “suddenness beauty,” “excitement beauty,” “modification beauty,” :”three-in-one beauty,” “competence beauty,” “charging beauty,” “destruction beauty,” “time-limit beauty.”

FLOWER GIRL SIGHTING: Waiting in the forest. Basara runs right past her, and he’s gone before she can do anything.

7 Movief